Excellent to use for tacking down confetti, stringer-sprinkles, and dichroic frit before fusing! Much easier than balancing alone when transferring into the kiln. Less is definitely more - it only needs a small amount of product so it will last a long time!
Beautiful glass
I love these! So simple when I need to use my round shelf. No cutting, guessing or waste!
I so love this glass. It cut beautifully and worked perfectly with some other whites to make my flowers pop.
Thanks for a quick delivery and for some truly wonderful products.
Lovely big roll, packaged perfectly and love the easy delivery to Sydney
Yellow (120 Opal) is one of my favourite colours. It really brightens up a room.
Here's an experimental piece that I made with Egyptian Blue (164).
Because these two pieces of glass have reactive potential (See the Bullseye Guide titled "Reactive Potential of Bullseye Glass - a free download), I ended up with a fine brown line around Egyptian Blue.
I made a "cat" clock with a faulty piece of black glass and am now replacing it after removing the motives which were fortunately glued not slumped
I was able to drill the glass for the mechanism without any difficulty thanks to advice from Chockadoo
I bought a half sheet of Glascadia clear, royal blue, spring green, white bullseye. I was even shown in photos what was available so I was able to choose the exact piece.
Itβs so beautiful I now donβt know what to make because itβs just a work of art as it is!! It will probably be platters so nothing is lost π₯°
I find this the best and easiest product to use, easy to apply and clean ups a breeze
This is quite an unusual colour, a bluish pink and stands out very well the two times I've used it.
This is an unusual colour and one I've been wanting to use in my work for a while now, another in a long line of colours unavailable with Oceanside or Spectrum.
I'm amazed by how many pinks are available with Reichenbach and how affordable they are.
This rod gives me another violet shade to add to the grape, mauve and lilac shades I already have.
Similar to the rod, the frit is also a lovely colour to add to my glass palette and complements my work beautifully
This is a beautiful pink and very easy to melt.
Linden green is a soft green with a yellowish cast and works very well for me.
I bought Lilac Red, Red Violet and Light Yellow Reichenbach frit, colours unavailable in other 96 brands. They are lovely and easy to work with.
I'm using this mould to make elements for my glasswork and so far after two firings I'm achieving what I set out to do. Glass is coming off the mould without sticking.
This colour, unavailable in Oceanside and Spectrum, complements the rest of my 96 glass and fuses seamlessly with it.
I was very pleased with the results of the Koi textured mould. The ripples looked beautiful.
I love this colour frit, I love to mix it with 1 or 2 other coe 96 frit colours and then add a heap of clear frit to make my own unique frit sheets. I then use them as bases under various dichroic glass and clear cap. Every piece is then unique yet similar. Great for bracelets ect.
The bracelet in the pics is light blue transparent- large, violet blue light transparent- fine, clear- fine. Fused into a frit sheet, then cut, topped with "reptilian" dichroic on clear, then a clear cap. All in a microwave kiln. Home hobbyist experimenting.
I love this colour frit, I love to mix it with 1 or 2 other coe 96 frit colours and then add a heap of clear frit to make my own unique frit sheets. I then use them as bases under various dichroic glass and clear cap. Every piece is then unique yet similar. Great for bracelets ect.
The bracelet in the pics is violet blue light transparent- fine, light blue transparent- large, clear- fine. Fused into a frit sheet, then cut, topped with "reptilian" dichroic on clear, then a clear cap. All in a microwave kiln. Home hobbyist experimenting.